2024’s Featured Artists

Alan Held

Well into his fourth decade as “one of the leading singing actors today”, American bass-baritone, Alan Held, has appeared in major roles in the world’s finest opera houses, including The Metropolitan Opera, The Vienna State Opera, The Royal Opera House Covent Garden, The Paris Opera, The Bavarian State Opera, Teatro alla Scala, Teatre del Liceu, Hamburg State Opera, Lyric Opera of Chicago, San Francisco Opera, Washington National Opera, Netherlands Opera, Theatre Royal de la Monnaie, The Canadian Opera Company, and Teatro de la Maestranza.   His many roles include Wotan in Wagner’s “Der Ring Des Nibelungen”, Amfortas in “Parsifal”, Scarpia in “Tosca”, The Four Villains in “Les Contes d’Hoffmann”, Jochanaan in “Salome”, Kurwenal in “Tristan und Isolde”, Don Pizzaro in “Fidelio”, Orestes in “Elektra”, Balstrode in Peter Grimes, and the title roles in “Gianni Schicchi”, “Der Fliegende Holländer”, “Wozzeck”, and “Cardillac”. An active concert performer, he has appeared with the world’s leading orchestras including The Berlin Philharmonic, The Chicago Symphony Orchestra, The Cleveland Orchestra, The Pittsburgh Symphony, The National Symphony Orchestra, The Metropolitan Opera Orchestra, The Los Angeles Philharmonic, The BBC-Scottish Symphony Orchestra, The Paris Orchestra, The Kirov Opera Orchestra, and The Montreal Symphony Orchestra. He has also appeared at the Salzburg and Tanglewood Festivals as well as the BBC Proms. He has worked with the such distinguished conductors as Sir Andrew Davis, Sir Colin Davis, Christoph von Dohnányi, Yannick Nézet-Séguin, James Levine, Charles Dutoit, Kirill Petrenko, Christoph Eschenbach, Bernard Haitink, Mariss Jansons, James Conlon, Sir Charles Mackerras, Zubin Mehta, Franz Welser-Möst, Kent Nagano, Sir Simon Rattle, David Robertson, Donald Runnicles, Esa-Pekka Salonen, and Jeffrey Tate.

The 2023-2024 season has Mr. Held returning to Carnegie Hall to sing a performance of "Gurrelieder" with the American Symphony Orchestra and debuting with the Oklahoma City Philharmonic as Scarpia in Puccini's "Tosca". In the 2022-2023 season, Mr. Held appeared at the Chautauqua Institution as Scarpia in “Tosca” and as Daniel Webster in “The Mother of Us All”. The year continued with performances of “Die Walküre, Act 3” in concert with Christine Goerke at Detroit Opera, Reverend Olin Blitch in “Susannah” (co-production between of the Wichita Grand Opera and Wichita State University), and performances of “The Magic Flute" in the holiday presentation at The Metropolitan Opera.   Recent seasons had Mr. Held returning to the Wiener Staatsoper to sing one of his most performed roles, Jochanaan (“Salome”). He also appeared with the Orchestre de Métropolitan in “Fidelio” under the baton of Yannick Nézet-Séguin. Mr. Held recently returned to the Washington National Opera as Scarpia in “Tosca”. He has appeared with the company in nearly 25 productions in the past 31 years at the John F. Kennedy Center for the Performing Arts. He also appeared with the Hessische Rundfunks Sinfonieorchester in concert presentations of “Der Freischütz”. The concerts were recorded for a Fall 2019 release on the Pentatone label.

Mr. Held established a close relationship with the Canadian Opera. He was the recipient of the Dora Mavor Moore award (“Outstanding Male Performance) presented by the Toronto Alliance for the Performing Arts. The COC production of “Siegfried”, also won this prestigious award. Mr. Held played the role of Wotan/Wanderer in this highly acclaimed run of performances.   Recent recordings include the spectacular Marek Janowksi conducted CD of Weber’s “Der Freischütz” on the Pentatone label with the Frankfurt Radio Orchestra. Mr. Held sang the role of Don Pizzaro for the EMI Classics recording of Beethoven’s “Fidelio” with The Berlin Philharmonic under the baton of Sir Simon Rattle. Mr. Held can be seen in the title role on the Harmonia Mundi DVD recording of “Cardillac” from The Paris Opera lead by Kent Nagano. He appears as Donner on the Deutsche Grammaphone DVD recording of “Das Rheingold” from The Metropolitan Opera conducted by James Levine. Also from The Met, Mr. Held can be seen as Peter on the EMI DVD recording of Humperdink’s “Hansel and Gretel” staged by Richard Jones and conducted by Vladimir Jurowski. Orfeo Records released a live recording of “Rusalka” that was made at the Salzburg Festival with Mr. Held, Piotr Beczala, Camilla Nylund and the Cleveland Orchestra under the baton of Franz Welser-Möst. A DVD recording from the Baden-Baden production of “Salome”, directed by Nikolaus Lehnhoff, was recently released on the Arthaus Musik label.   A native of Washburn, Illinois, Mr. Held received his vocal training at Wichita State University. He is a recipient of numerous honors and awards including The Birgit Nilsson Prize.
 
He is also a noted clinician and has, since 2002, given public master classes and private coaching sessions at Yale University. In January, 2014, Mr. Held was named The Ann and Dr. Dennis Ross Faculty of Distinction in Opera at Wichita State University. He currently serves as the Director of Voice and Opera studies at WSU. He continues his active vocal career in addition to serving as a Professor in the College of Fine Arts. Students of Mr. Held are members of prestigious young artist programs including the Lindemann Young Artist Program at The Metropolitan Opera and at the Adler Fellowship Program at The San Francisco Opera. Since 2016, Mr. Held has been a guest Master Teacher at The Miami Music Festival Wagner Institute. Mr. Held has twice served as the Artist in Residence for the Domingo-Cafritz Young Artist Program at The Washington National Opera, a position he held as well during the 2015-2016 season. He also served as the Artist in Residence at The Wolf Trap Opera Company. He has served on two grant writing panels for the National Endowment of the Arts. In July, 2021, Professor Held became the Director of Sacred Music at the Cathedral of the Immaculate Conception in Wichita, Kansas.

Stephen Buzard

Stephen Buzard is the Director of Music at St. James Cathedral in Chicago.  He is the principal musician at St. James, playing the organ for services and directing the Cathedral Choir.  Mr. Buzard came to St. James from Saint Thomas Church Fifth Avenue in New York City where he served as Assistant Organist until the untimely passing of their Director of Music John Scott in August 2015.  Following this tragedy, Mr. Buzard became Acting Organist and Director of Music, directing the prestigious choir of men and boys in their rigorous routine of daily services.  Mr. Buzard holds a Master of Music degree from the Yale Institute of Sacred Music where he studied organ with Thomas Murray and improvisation with Jeffrey Brillhart.  While at Yale, Mr. Buzard served as organ scholar at Trinity on the Green, New Haven, Connecticut; as principal organist of Berkeley Divinity School at Yale University; and as organist for Marquand Chapel, Yale Divinity School.

Mr. Buzard earned his Bachelor of Music degree from Westminster Choir College in 2010 where he studied organ with virtuoso Ken Cowan.  While an undergraduate, Mr. Buzard was concurrently organ scholar at Trinity Episcopal Church, Princeton, New Jersey and Director of Music for the Episcopal Church at Princeton University.  Before starting at Yale Mr. Buzard spent a year in England as Senior Organ Scholar of Wells Cathedral where he accompanied and conducted in daily services and assisted in the training of the boy and girl choristers.

Mr. Buzard was raised in a household full of organ music.  His father is the president and founder of Buzard Pipe Organbuilders, and his mother is the organist-choirmaster at the Chapel of St. John the Divine in Champaign, Illinois.  Mr. Buzard was the winner of the 2010 Arthur Poister Competition and the 2009 Joan Lippincott Competition for Excellence in Organ Performance.  Mr. Buzard is an Associate of the American Guild of Organists, winning the Elmer and Associate Prizes for highest score on an AGO exam nationally.  This year he was named one of the “top 20 organists under 30” by The Diapason magazine.

Lillian Gordis

Born in 1992 into a family of scholars and mathematicians in Berkeley, California, Lillian Gordis fell in love with the harpsichord at age 9 and never looked back. Five years later, Pierre Hantaï discovered her during a tour to the United States, and, captivated by her touch, he encouraged her to move to France for further studies. Lillian moved to Paris at 16, where she was mentored by Hantaï and Bertrand Cuiller.

Hailed as a “Martha Argerich of the harpsichord” (ResMusica), Lillian regularly performs as a soloist in festivals across Europe and the United States and plays frequently in a duo with Jérôme Hantaï.

Her most recent album, a double-disc dedicated to Bach (Paraty Productions, 2022) was awarded a Diapason d’Or and has received praise in the press worldwide (Gramophone, Scherzo, American Record Guide, Fono Forum, Qobuz...). It was a “coup de cœur nouveauté” on France Musique (Relax !, Lionel Esparza) and was also featured on the program Le Bach du Dimanche (Corinne Schneider).

Her first solo recording, Zones (Paraty Productions, 2019) was entirely dedicated to the sonatas of Domenico Scarlatti.

For the 2023-24 academic year, she will serve as Visiting Assistant Professor of Harpsichord at Oberlin Conservatory. During this period, Lillian will embark on a season-long tour of the US, including her début in Los Angeles as a soloist with the Los Angeles Chamber Orchestra, duo concerts with her ensemble partner J. Hantaï, and solo recitals.

Lillian holds dual nationality with the United States and France and resides in Paris.

Emily Yocum Black

Katherine Buzard

Amy Catron

Jorie Clark

Sara Couden

Adam Miller

David Gartner

Aubrey Hawkinson

Max Holman

Gabrielle Timofeeva López

Constantine Novotny

Andréa Walker

David Walton

Mike Williams

Emily Wheeler

Soprano
Emily Yocum Black
Katherine Buzard
Jorie Clark
Mackenzie Sarasin
Andréa Walker

Alto
Sara Couden
Aubrey Hawkinson
Gabrielle Timofeeva López
Audrey Soetermans
Emily Wheeler

The 2024 Festival Chorus

Tenor
Tommy Barroso
Luke Davis
Adam Miller
Ryan Rogers
David Walton

Bass
Tad Daniels
David Gartner
Samuel Moore
Constantine Novotny

Violin I
Aaron Jacobs
Mu-Chi Hsieh
Gaeun Kim

Violin II
Na’ilah Ali
Christina Giger
Kamen Petkov

Viola
Sharon Chung
Megan Forness

Violoncello
Amy Catron
Isadora Nojkavic
Keegan O’Donald

The 2024 Festival Orchestra

Contrabass
Garold Fowler

Flute
Amanda Pond
Farah Zolghadr

Oboe
Evan Tammen
Angela Tammen

Bassoon
Claire Taylor

Organ
Stephen Buzard

Harpsichord
Max Holman